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Oasis documentary Don't Look Back in Anger premieres at Venice with eight-minute ovation

Oasis: Don't Look Back in Anger, the documentary about Liam and Noel Gallagher's 2025 reunion tour, premiered at the Venice Film Festival on Saturday 5 September and drew an eight-minute standing ovation.

CultureAnalysisNaomi FeldmanPublished: 5 November 20263 min readSources 17
Oasis documentary Don't Look Back in Anger premieres at Venice with eight-minute ovation

Liam and Noel Gallagher walked the red carpet together at the world premiere of Oasis: Don't Look Back in Anger on Saturday 5 September, The Hollywood Reporter said. The premiere felt more like an Oasis stadium concert than a sombre festival premiere, with chants of "Oasis! Oasis!" as the brothers entered the Sala Grande.

The ovation came after the screening, when the lights came up following the film's two-hour runtime, The Hollywood Reporter said. The audience cheered for about eight minutes and sang along loudly to "Champagne Supernova" at the end. In response to a question yelled from the gallery, Liam shouted "Venice is a lovely place!" before sitting down with his brother. During the ovation, Liam grabbed Noel's hand and they raised their arms together.

The brothers skipped the morning press conference, The Hollywood Reporter and The Age reported. The film screened in Venice Open, Out of Competition, so it is not in contention for the Golden Lion. The 83rd Venice Film Festival runs from 2 to 12 September.

Release plans

Billboard reported that the film opens in select IMAX and UK cinemas on 9 September and in cinemas internationally from 11 September. The Hollywood Reporter said it opens in select IMAX and US cinemas on 11 September. The Guardian's review listed 10 September in Australia and 11 September in the UK and US, a different UK date from Billboard's.

After cinemas, the film streams on Disney+ internationally and on Hulu and Disney+ in the US later this year, according to People and The Music Universe.

Reviews

The Hollywood Reporter's review ran under the headline "A Rich, Poignant Music Doc" and praised the film. Its critic wrote that the film "quite successfully shows us that Oasis means a great deal to many people across the world," while noting that viewers hoping for inside detail on the feud "will not be satisfied."

Variety called it "an uncharacteristically polite and sentimental portrait of a raucous band and phenomenon," with "impressive concert footage interrupted by clumsy attempts at earnestness." Deadline called it "a sentimental but funny concert movie" but said that at two hours it is "a long haul if you're not a fan," with "lots of unnecessary chats." The Guardian called it a "highly enjoyable fan-worship documentary." The Hollywood Reporter gives the runtime as 2 hours 2 minutes.

How it was made

Steven Knight, creator of Peaky Blinders, wrote the film. Dylan Southern and Will Lovelace directed it. Sam Bridger and Guy Heeley produced it. It is a Magna Studios production presented by Sony Music Vision.

The Age reported that the filmmakers used 12 hidden cameras to record rehearsals and asked local cinematographers to film stadium shows in several cities, including Seoul, Manchester, Sao Paulo and Buenos Aires. The band split in 2009 after a backstage fight before a Rock en Seine set in Paris, according to The Fader and RTE.

Billboard said the film includes the first joint interviews with Noel and Liam in more than 20 years. It follows Oasis across 12 concerts on three continents during the Live '25 tour, The Hollywood Reporter said. Billboard said the tour began in Cardiff, Wales, in July 2025 and played the UK, Ireland, North America, Latin America and Asia.

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Sources

17
  1. 01Liam and Noel Gallagher Lock Arms at Venice Premiere of 'Oasis: Don't Look Back in Anger' - The Hollywood ReporterEN
  2. 02Oasis Brothers Liam and Noel Gallagher Debut Their Doc Don't Look Back in Anger at the Venice Film Festival - People.comEN
  3. 03Gallagher brothers debut Oasis documentary at Venice Film Festival - Yahoo Entertainment UKEN
  4. 04'Oasis: Don't Look Back in Anger' Review: A Rich, Poignant Music Doc - The Hollywood ReporterEN
  5. 05Oasis: Don't Look Back in Anger review - mammoth tour movie brings the joy and poignancy of reunion - The GuardianEN
  6. 06Oasis documentary to premiere at Venice International Film Festival - The Music UniverseEN
  7. 07Hidden cameras, no script: Oasis documentary goes inside the Gallagher brothers' split - The AgeEN
  8. 08Oasis' Reunion Documentary 'Don't Look Back In Anger' to Premiere at a Major Film Festival - BillboardEN
  9. 09Steven Knight's Oasis documentary to premiere at Venice Film Festival - RTEEN
  10. 10Oasis debut documentary at Venice Film Festival as Celtic Park gig rumours mount - Daily RecordEN
  11. 11Noel and Liam are going to Venice for the Oasis doc premiere - The FaderEN
  12. 12I went to Venice for the Oasis documentary world premiere and this is what it's really like behind the scenes - Manchester Evening NewsEN
  13. 13Oasis debut documentary at Venice Film Festival as Celtic Park gig rumours mountEN
  14. 14I went to Venice for the Oasis documentary world premiere and this is what it's really like behind the scenesEN
  15. 15UK government considers smart glasses ban over secret filming concernsEN
  16. 16Il cinema alla prova dell’AI: chi finanzia un film se non sa come è stato fatto?EN
  17. 17 The 2027 'eclipse of the century' will plunge real Star Wars filming locations into darkness EN

All figures and quotations in this text come from the sources listed below.

Content prepared by the editorial team with AI assistance.

Naomi Feldman

Naomi Feldman

Culture, food and lifestyle

Naomi Feldman covers culture, food, fashion and design, lifestyle and history for FLASH24, working from primary sources such as archive records, exhibition catalogues and first-person interviews rather than press releases. For food and design stories she checks prices, opening hours and production figures against at least two independent sources before filing. She spends much of her week talking to chefs, curators and designers, and marks the festival and fashion-week calendars months ahead to compare how the same event is covered elsewhere. Outside the desk she runs festival marathons and spends time in independent cinemas and film archives, which shapes how she reads cultural programming and restoration work. She does not publish a review without having seen the film, eaten the food or walked the space herself.

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