Skip to content
World clockEU--:--UK--:--USA--:--CN--:--PLDEFRIT中文EN

portal about AI and technologyevents · analysis · interviews · technical background

Search
LIVE
›

The Odyssey ends its North American run at $625.6 million

Christopher Nolan's The Odyssey ended its North American run after 105 days with $625.6 million, about $11 million short of the R-rated domestic record, Koimoi reported. Its worldwide total is near $1.8 billion.

CultureNewsNaomi FeldmanPublished: 4 November 20263 min readSources 20
The Odyssey ends its North American run at $625.6 million

The Odyssey closed its North American run after 105 days with $625.6 million, Koimoi reported. That is about $11 million short of Deadpool & Wolverine's $636.7 million, the R-rated domestic record, and second only to Jurassic World's $653.4 million among Universal releases in North America. Its worldwide run continues.

Where the worldwide total stands

The overseas number came in its 16th weekend: $2.7 million, down 16% from the weekend before, Koimoi reported. That took the global total to about $1.8 billion, the outlet said, citing Box Office Mojo. A second Koimoi report put the worldwide total at $1.79 billion, and Comic Basics at roughly $1.799 billion.

North America supplied $625.6 million, or 34.8% of the worldwide total, while international markets contributed $1.17 billion, or 65.2%. Koimoi ranks the film as the second-highest-grossing release of 2026 worldwide, behind Spider-Man: Brand New Day.

The Odyssey launched on 17 July with $264.1 million worldwide, including $124.5 million in North America, Comic Basics reported. It crossed $1 billion within three weeks, before it opened in China, and reached $500 million in the US in 31 days, one of the fastest paces recorded.

What the records change

Koimoi listed three worldwide records. Worldwide, the film passed Deadpool & Wolverine, which finished at $1.338 billion, to become the highest-grossing R-rated movie ever. It overtook The Dark Knight Rises at $1.085 billion as Nolan's biggest. And it passed Jurassic World's $1.671 billion to become Universal Pictures' highest-grossing release worldwide.

Koimoi reported it as the only R-rated film to pass $1.5 billion worldwide. It also listed the film as the first non-sequel, non-remake to gross more than $1 billion internationally since Avatar in 2009; Comic Basics said Universal noted that milestone.

Comic Basics put the budget at about $250 million, with break-even estimated at $625 million to $750 million. Nolan's previous film, Oppenheimer, earned about $975.8 million worldwide in 2023.

The IMAX record

Koimoi put the current IMAX gross at $555 million worldwide, more than double Avatar's $271 million. Zoom TV estimated about $550 million. Comic Basics noted the film had about $289 million from IMAX screens at the time it passed Avatar for the format record.

Comic Basics reported that The Odyssey was the first feature shot entirely with IMAX cameras, and that large-format screens accounted for 53% of the domestic opening.

The top 10 gap and what comes next

At roughly $1.799 billion, the film sits about $71 million short of Zootopia 2 at about $1.870 billion, the last place in the all-time top 10, Comic Basics reported. Vietnam.vn, citing The Numbers, had it at about $1.816 billion at the end of October. Reported totals vary by tracker, with some placing it slightly above or below $1.8 billion.

Comic Basics reported that a theatrical re-release may be needed to close the gap. Koimoi reported that the film has already returned to IMAX screens after briefly losing shows to newer releases. Zoom TV said it is being discussed as a contender for the upcoming awards season.

Comments 0

Sources

20
  1. 01The Odyssey Worldwide Box Office: 6 Major Records Christopher Nolan's Epic Has Broken So Far!EN
  2. 02The Odyssey North America Box Office (Closing Collection): Christopher Nolan's Epic Wraps Up Its Domestic Run After 105 Days, Achieves 3 Major RecordsEN
  3. 03Christopher Nolan's The Odyssey Concludes North American Theatrical Run After 105 DaysEN
  4. 04'The Odyssey' Is Knocking on the Door of the All-Time Box Office Top 10, and It May Need an Encore to Get InEN
  5. 05The Odyssey Worldwide Box Office: Hits The $1.8 Billion Mark, Continues Its Extraordinary Run In IMAX!EN
  6. 06'The Odyssey' Docks at the Domestic Box Office With an Epic Finish Just Behind 'Deadpool & Wolverine'EN
  7. 07Elon Musk claimed his AI film would be better than "The Odyssey," but what was the result?EN
  8. 08Germany’s EV share hits record 37% as BEVs beat gas and diesel combinedEN
  9. 09STATION F startups raise record €2B as campus unveils 2026 Future 40EN
  10. 10Meta Raises €9 Billion as Euro Bond Debut Draws Record DemandEN
  11. 11Kia racks up another record month as its new $30K electric SUV hits dealersEN
  12. 12North Korea denies being behind record $6.3bn Binance hackEN
  13. 13Xpeng to report Q3 results on November 16 after record quarterly deliveriesEN
  14. 14Box Office: Ahead Of King 100, Revisiting Tabu’s Negative Roles Over The Last 10 Years - KoimoiEN
  15. 15AMD Q3 2026 Earnings Data Center Growth Drives Record QuarterEN
  16. 16Geely nears monthly sales record as exports remain strongEN
  17. 17Record Demand Catches (Some) OEMs with Their Pants Down — Europe September 2026EN
  18. 18Scientists confirm global warming is accelerating faster than ever recordedEN
  19. 19OpenAI appoints Jill Hazelbaker as Chief Corporate Affairs OfficerEN
  20. 20Elon Musk's AI Odyssey ReviewEN

All figures and quotations in this text come from the sources listed below.

Content prepared by the editorial team with AI assistance.

Naomi Feldman

Naomi Feldman

Culture, food and lifestyle

Naomi Feldman covers culture, food, fashion and design, lifestyle and history for FLASH24, working from primary sources such as archive records, exhibition catalogues and first-person interviews rather than press releases. For food and design stories she checks prices, opening hours and production figures against at least two independent sources before filing. She spends much of her week talking to chefs, curators and designers, and marks the festival and fashion-week calendars months ahead to compare how the same event is covered elsewhere. Outside the desk she runs festival marathons and spends time in independent cinemas and film archives, which shapes how she reads cultural programming and restoration work. She does not publish a review without having seen the film, eaten the food or walked the space herself.

Newsroom →

Comments

0
  1. No comments yet — be the first.

Write a comment

Comments are public. We do not publish abuse, spam or advertising.